Season 3, Episode 14: The Rise and Fall of the Soga Clan
A graphic depiction of the Isshi Incident by Gukei Sumiyoshi, in which High Prince Naka decapitates Soga no Iruka as Nakatomi no Kamako (holding the bow) looks on. Source: Public Domain.
Season 3, Episode 13: The Life of Crown Prince Shōtoku
A woodblock reproduction of a painting from the 700s featuring Crown Prince Shotoku and his sons by an unknown artist. Source: Public Domain.
The 10,000 Yen note features Crown Prince Shotoku, clearly inspired by the above painting. Source: Public Domain.
A statue of Crown Prince Shotoku depicted as a Bodhisattva at Asuka-dera temple. This somewhat youthful appearance was a common way of depicting most Bodhisattvas in the Asuka Period. Source: Chris 73
Guze Kannon, a Buddhist statue made in the likeness of King Seong of Baekje. It currently resides at the Yumedono (Hall of Dreams) at Horyu-ji temple where it is occasionally displayed. Source: Public Domain
Season 3, Episode 11: The Rise of the Tang Dynasty
Sui Dynasty Provinces circa 610 CE. Note that the Liaodong peninsula in the northeast is still under Koguryo’s control and that the Xiyu States in the west are still not under Chinese suzerainty. Source: Yug / CC BY-SA (https://creativecommons.org/licenses/by-sa/3.0)
A 1920 Illustration of an embassy from the Eastern Roman Empire (Byzantine Empire) visiting the court of the Tang Dynasty in 643 CE. Source: Public Domain
Expand to see the Tang Dynasty in 700 CE – HISTORY SPOILER WARNING
A decorative roof tile from Koguryo, time period unknown. Source: Public Domain
A mural from a Koguryo tomb. Note that the bird at the center has three legs- this is a common spiritual symbol in Taoism which shows that Koguryo was adopting some aspects of Chinese culture. Source: Public Domain
The front of Asuka-dera temple’s main hall. Though originally built in Asuka, it was later moved to Heijo-kyo (Nara City), where it stands today. It is believed to be one of the oldest Buddhist temples in Japan, possibly the oldest. Source: 663highland / CC BY-SA (http://creativecommons.org/licenses/by-sa/3.0/)
The Daibutsu (large Buddha) statue which resides in Asuka-dera. Made in 609 CE by Kuratsukuri no Tori, the son of a Korean immigrant. Source: Chris 73 / Wikimedia Commons
The many statues of Longmen Grottoes in Henan, China, which began construction during the late 400s and continued, on and off, through the late 600s. As you can hopefully see from the presence of tourists, some of these statues are quite large! Source: WikiLaurent / CC BY-SA (https://creativecommons.org/licenses/by-sa/3.0)
The Giant Wild Goose Pagoda of Xi’an, China. The original was built from rammed earth during the reign of Emperor Gaozong in 652 CE, but it collapsed after fifty years and was rebuilt during the reign of Empress Wu Zitan near the end of Japan’s Asuka Period. Source: Alex Kwok / CC BY-SA (http://creativecommons.org/licenses/by-sa/3.0/)
A Map of Japan with the Yamato Region highlighted in red. While it may appear to be a perfect, almost central location, keep in mind that this map does not display the topography, which would complicate things for future rulers. Source: Ash_Crow / CC BY-SA (http://creativecommons.org/licenses/by-sa/3.0/)
Here is a topographical map of the Nara Basin itself. The mountains around it could make for decent defensive positions if need be, and the broad plain between them was fertile and remains some of the best rice land in Japan. Public Domain.
Mononobe no Okoshi, who served as Omuraji and whose clan served as primarily a military clan. This image of him was painted by Kikuchi Yosai, a famous painter who did many such historical portraits in the 1800s.
Otomo no Kanamura, who served alongside Mononobe no Okoshi at the Yamato Court. It was Otomo no Kanamura who far too often or perhaps too forcefully advocated for an invasion of Silla and was removed from his position at the court when Okoshi refused to support his endeavors. This image was also painted by Kikuchi Yosai in the 1800s. Public Domain.
An assortment of Haji ware pottery, the unglazed earthenware popularized by indigenous craftspersons in Kofun Japan. Source: Gary Todd from Xinzheng, China / CC0
A small Haji ware dish. Up close, you can really see how porous Haji ware was, which could make it difficult to clean. Public Domain.
A Haniwa statue of a Kofun Period warrior holding a sword and wearing armor. While later samurai armor would utilize different materials, these statues are interesting for revealing that the actual style of the amor in Japan stayed relatively the same for more than a thousand years. Source: Tokyo National Museum / CC BY-SA (https://creativecommons.org/licenses/by-sa/4.0)
Not every Haniwa was a person or animal – this one is a house! Public Domain
